top of page

We're always touching underwater (2023) (teaser)

Composer statement 

Developed from the concert piece Where all is blue (score available here) the score for We're always touching underwater (2023)  combines vibraphone, aluminium pipes and crotales with eerie sliding glissando sine tones, electronics and the scraping of the orchestral bass drum. The sound world supports the films arc as it slowly progresses from the serene to the uncanny and disturbing.

About the film 

This work was filmed in Walyalup waters over a series of dives as the seasons changed and the ocean turned cold. It captures small, very close up moments with slow intimacy – drifting over a tiny field of luminous green macroalgae or peering into a knot of foraging catfish. It also registers profound and ominous transformations; ecological change, the passing of human life and the drift of time.

 

read more here

Full Credits

We're always touching underwater 

By Erin Coates
2023, 7:31 minutes, video with sound

Assistant Divers: Jasper Silver, Yvonne Doherty, Neil Aldum
Composer: Alice Humphries
Percussionist & Performer: Louise Devenish
Recording Engineer: Alistair McLean
Additional Electronics: Michael Terren


Audio Recording funded by the Australian Research Council
 

Exhibitions


9 and 13 July 2024: Revelation Film Festival, Surreal Shorts, Perth

12 - 16 June 2024: Film Maudit 2.0 Film Festival, Los Angeles

11- 20 August 2023: Walyalup Waters exhibition at PSAS Arts Space for Wayalup Festival (premiere)
 

bottom of page